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Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)

Note 47 — CABINET CYCLOPÆDIA. (continued 4)

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Molière, says Cailhava, in his "Art de la Comédie," indignant at the false taste of the court and the public, puts into the mouth of a courtier, in his "Misanthrope," a sonnet of Cotin, the most fashionable poet of the day, and a member of the academy. Bad taste was so accredited with the public, that the audience, on the first night of performance, applauded this nonsense to the echo, in perfect good faith. Molière expected and only waited this effect to "pulverise" the sonnet and its admirers by the relentless and excellent criticism which he puts into the mouth of his misanthrope, Alceste.

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