Note {210} — THE POETRY OF SACRED AND LEGENDARY ART {187}

We are sorry to see, however, that Mrs. Jameson has been so far untrue to her own faculty as to join in the common mistake of naming Raphael’s well-known cartoon at Hampton Court, “Elymas the Sorcerer struck Blind.” On the supposition that this is its subject, its method of arrangement is quite unworthy of the rest, as the action would be split into the opposite corners of the picture, and the post of honour in the centre occupied by a figure of secondary importance; besides, the picture would lose its significance as one of this great series on “Religious Conviction and Conversion.” But, strange to say, Raphael has all the while especially guarded against this very error, by labelling the picture with a description of its subject. Directly under the central figure is written, “Sergius Paulus, Proconsul, embraces the Christian faith at the preaching of Paul.” Taking which simple hint, and looking at the face of the proconsul (himself a miracle of psychology) as the centre to which all is to be referred, the whole composition, down to the minutest details, arranges itself at once in that marvellous unity which is Raphael’s especial glory.