Note 15 — Chapter VI

The title is explained as follows:--"The story of the Franceschini case, as Mr. Browning relates it, forms a circle of evidence to its one central truth; and this circle was constructed in the manner in which the worker in Etruscan gold prepares the ornamental circlet which will be worn as a ring. The pure metal is too soft to bear hammer or file; it must be mixed with alloy to gain the necessary power of resistance. The ring once formed and embossed, the alloy is disengaged, and a pure gold ornament remains. Mr. Browning's material was also inadequate to his purpose, though from a different cause. It was too hard. It was 'pure crude fact,' secreted from the fluid being of the men and women whose experience it had formed. In its existing state it would have broken up under the artistic attempt to weld and round it. He supplied an alloy, the alloy of fancy, or--as he also calls it--of one fact more: this fact being the echo of those past existences awakened within his own. He breathed into the dead record the breath of his own life; and when his ring of evidence had re-formed, first in elastic then in solid strength, here delicately incised, there broadly stamped with human thought and passion, he could cast fancy aside, and bid his readers recognise in what he set before them unadulterated human truth."--Mrs. Orr.