Note 514 — FRIDAY, SEPTEMBER 10.

Steele had had the Duke of Marlborough's papers, and 'in some of his exigencies put them in pawn. They then remained with the old Duchess, who, in her will, assigned the task to Glover [the author of Leonidas] and Mallet, with a reward of a thousand pounds, and a prohibition to insert any verses. Glover rejected, I suppose with disdain, the legacy, and devolved the whole work upon Mallet; who had from the late Duke of Marlborough a pension to promote his industry, and who talked of the discoveries which he had made; but left not, when he died, any historical labours behind him.' Johnson's Works, viii. 466. The Duchess died in 1744 and Mallet in 1765. For more than twenty years he thus imposed more or less successfully on the world. About the year 1751 he played on Garrick's vanity. 'Mallet, in a familiar conversation with Garrick, discoursing of the diligence which he was then exerting upon the Life of Marlborough, let him know, that in the series of great men quickly to be exhibited, he should find a niche for the hero of the theatre. Garrick professed to wonder by what artifice he could be introduced; but Mallet let him know, that by a dexterous anticipation he should fix him in a conspicuous place. "Mr. Mallet," says Garrick in his gratitude of exultation, "have you left off to write for the stage?" Mallet then confessed that he had a drama in his hands. Garrick promised to act it; and Alfred was produced.' Ib. p. 465. See ante, iii. 386.