Note 343 — THE LIFE OF SAMUEL JOHNSON, LL.D. (continued 2)
Reading edition
Mr. Wilkes probably did not know that there is in an English sermon the most comprehensive and lively account of that entertaining faculty, for which he himself is so much admired. It is in Dr. Barrow's first volume, and fourteenth sermon, 'Against foolish Talking and Jesting.' My old acquaintance, the late Corbyn Morris, in his ingenious Essay on Wit, Humour, and Ridicule, calls it 'a profuse description of Wit;' but I do not see how it could be curtailed, without leaving out some good circumstance of discrimination. As it is not generally known, and may perhaps dispose some to read sermons, from which they may receive real advantage, while looking only for entertainment, I shall here subjoin it:—'But first (says the learned preacher) it may be demanded, what the thing we speak of is? Or what this facetiousness (or wit as he calls it before) doth import? To which questions I might reply, as Democritus did to him that asked the definition of a man, "'Tis that which we all see and know." Any one better apprehends what it is by acquaintance, than I can inform him by description. It is, indeed, a thing so versatile and multiform, appearing in so many shapes, so many postures, so many garbs, so variously apprehended by several eyes and judgements, that it seemeth no less hard to settle a clear and certain notion thereof, than to make a portrait of Proteus, or to define the figure of the fleeting air. Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale; sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound: sometimes it is wrapped in a dress of humorous expression: sometimes it lurketh under an odd similitude: sometimes it is lodged in a sly question, in a smart answer, in a quirkish reason, in a shrewd intimation, in cunningly diverting or cleverly retorting an objection: sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense: sometimes a scenical representation of persons or things, a counterfeit speech, a mimical look or gesture, passeth for it: sometimes an affected simplicity, sometimes a presumptuous bluntness giveth it being: sometimes it riseth only from a lucky hitting upon what is strange: sometimes from a crafty wresting obvious matter to the purpose. Often it consisteth in one knows not what, and springeth up one can hardly tell how. Its ways are unaccountable, and inexplicable; being answerable to the numberless rovings of fancy, and windings of language. It is, in short, a manner of speaking out of the simple and plain way, (such as reason teacheth and proveth things by,) which by a pretty surprising uncouthness in conceit or expression, doth affect and amuse the fancy, stirring in it some wonder, and breeding some delight thereto. It raiseth admiration, as signifying a nimble sagacity of apprehension, a special felicity of invention, a vivacity of spirit, and reach of wit more than vulgar; it seeming to argue a rare quickness of parts, that one can fetch in remote conceits applicable; a notable skill, that he can dextrously accommodate them to the purpose before him; together with a lively briskness of humour, not apt to damp those sportful flashes of imagination. (Whence in Aristotle such persons are termed [Greek: hepidexioi], dextrous men, and [Greek: eustrophoi], men of facile or versatile manners, who can easily turn themselves to all things, or turn all things to themselves.) It also procureth delight, by gratifying curiosity with its rareness, as semblance of difficulty: (as monsters, not for their beauty, but their rarity; as juggling tricks, not for their use, but their abstruseness, are beheld with pleasure:) by diverting the mind from its road of serious thoughts; by instilling gaiety and airiness of spirit; by provoking to such dispositions of spirit in way of emulation or complaisance; and by seasoning matters, otherwise distasteful or insipid, with an unusual and thence grateful tang.' BOSWELL. Morris's Essay was published in 1744. Hume wrote:—'Pray do you not think that a proper dedication may atone for what is objectionable in my Dialogues'! I am become much of my friend Corbyn Morrice's mind, who says that he writes all his books for the sake of the dedications.' J. H. Burton's Hume, ii. 147.