Note 1 — Chapter VII · : Roderic, Last of the Goths
Reading edition
The tragic and tumultuous story of the manner in which Spain was delivered into the hands of the Moors is surely a theme worthy of treatment by the highest genius. But either because it offended the national pride or otherwise failed to make an appeal to the Castilian temperament, its epic remains unwritten. Few passages in history afford such an opportunity for the delineation of the deeper human passions as the episode which resulted in the betrayal of an entire country for the gratification of a private wrong. It presents such a catastrophe as urged Æschylus to compose the moving and majestic drama of Electra. Yet it has found no more potent expression than in the dreary parchment of the latest Spanish chronicle and the pedestrian verse of Southey’s Roderick, the Last of the Goths, which draws its inspiration from the pseudo-history of that account.1