Note 1 — Front matter

To understand my story the better, gentlemen, you must yemaygine to yourselves a snug well-doing Nairnshire farmer’s onstead,1 situated in the parish of Auldearn, with a comfortable dwelling-house, of two low stories, accurately put down, so as mathematically to face the twelve o’clock line,—with its crow-steppit gables, small windows, little out-shot low addition behind, tall chimneys, and grey-slated roof—just such a house, to wit, as a man of his condition required in the middle of the last century—with two lines of strange-looking thatched or sod-covered stables, byres, barns, and other out-houses, projecting from its sides at right angles to its front, with divers out-riders, and isolated straggling edifices, of similar architecture and materials, dropped down here and there, as the hand of chance might have sown them—the smoke coming furth from some of their lumm-heads, and partly also from their low door-ways, proving to you, almost against your conviction, that they actually are the dwelling-places of human beings.—Fancy the whole grouped (as Mr. Grant, the long painter lad of Grantown, would have said) with sundry goodly rows of peat and turf stacks, a number of corn ricks wonderfully formed, and bulging and hanging out of the centre of gravity, each in a different direction, like a parcel of drunken Dutch dancers;—in the midst of all a large midden—(query whether the word midden may not be a mere corruption of the words middle-in,—the midden being always in the middle of all rural premises in Scotland? so that unlucky visitors not unfrequently walk up to the middle into the middle of it.)—Then picture to yourselves, behind the biggins, sundry kail-yards, with a few very ancient ash trees, sycamores, and rowan trees, rising from among their bourtree fences, or from the sides of their dilapidated dry-stone dikes. At a little distance below, a bog, with its attendant pools of dark moss-water, which shine amidst the black chaotic mass around them, and look blue by their reflection of the sky—with a half-ruined and roofless killogie, or kiln for drying corn and malt, standing on a sloping bank at no great distance from them. Then people all this with the farmer himself, a stout, hale, healthy-looking man, going bustling about from door to door among his folk, his muck-carts, and his horses, with a hodden-grey coat upon his back, a broad blue bonnet on his head, a hazle staff in his hand, and a colley and one or two rough terriers and greyhounds at his heels, shouting every now and then in Gaelic to his man, John Smith, a tall, handsome, strong-built Highlander, whilst the gudeman’s wife, a very good-looking, round-formed, trigly-dressed Englishwoman, is seen appearing and disappearing from under the wooden porch, over which some attempts have been made to trail a plant or two of rose and honeysuckle, but which attempts have been rendered abortive by the epicurean taste of the browsing animals of the farm—her south country tongue sounding quick and sharp in the ears of Morag, or Mary, a clever, well-made, bare-footed, and short-gowned Highland lass, with pleasing countenance, largish cheek bones, black snooded hair, sparkling eyes, arched eyebrows, and rosy cheeks, busied in washing out her milk cogues, with her coats kilted up to her knees. To which add the herd of cows, oxen, queys, stirks, and calves of all sorts and sizes, with a due mixture of sheep and lambs, and pownys, sprinkled all about, feeding among the whinny pasture-hillocks and baulks, dividing the queer-shaped patches of the surrounding arable land.—Above all, I would have you particularly to remark a vurra large sow-beast, with a numerous litter of pigs, grubbing up the ground about the old killogie, amid the ruins of which her progeny first saw the light. In addition thereto, fancy, in the words of our own Scottish pastoral poet, Allan Ramsay, that