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Lectures on the true, the beautiful and the good

Note 182 — LECTURE X. FRENCH ART IN THE SEVENTEENTH CENTURY.

O. W. (Orlando Williams) Wight translation

We do not speak of the colonnade of the Louvre by Perrault, because in spite of its grand qualities, it begins the decline and marks the passage from the serious to the academic style, from originality to imitation, from the seventeenth century to the eighteenth.

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