Note 180 — LECTURE X. FRENCH ART IN THE SEVENTEENTH CENTURY.

In order to appreciate the beauty of the Sorbonne, one must stand in the lower part of the great court, and from that point consider the effect of the successive elevation, at first of the other part of the court, then of the different stories of the portico, then of the portico itself, of the church, and, finally, of the dome.