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Lectures on the true, the beautiful and the good

Note 160 — LECTURE X. FRENCH ART IN THE SEVENTEENTH CENTURY.

O. W. (Orlando Williams) Wight translation

It seems that Lesueur sometimes furnished Daret with designs. It is indeed to Lesueur that Daret owes the idea and the design of his chef-d'œuvre, the portrait of Armand de Bourbon, prince de Conti, represented in his earliest youth, and in an abbé, sustained and surrounded by angels of different size, forming a charming composition. The drawing is completely pure, except some imperfect fore-shortenings. The little angels that sport with the emblems of the future cardinal are full of spirit, and, at the same time, sweetness.

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