Note 7 — I SOPHIE ARNOULD
Reading edition
The opera, or rather its libretto, was an old one, having been first produced so far back as 1690, with music by Colasse, a pupil of Lulli. Fontenelle, who lived to be nearly a hundred, was still alive when Dauvergne informed him of his intention to write fresh music for the opera. “Monsieur,” he replied, “you do me too much honour. It is now well-nigh sixty years since that opera was first performed; it was a failure, but I never heard that that was the fault of the composer.”