Note 95 — JOURNAL. (continued 6)

The spirit of man of its own dignity ennobles whatever it devotes itself to. The most trivial actions may become almost heroical from the motive which prompts them, and the most absurd ceremonies of superstition, sincerely practised, may excite pity, but neither contempt nor ridicule. If such a thing as an enthusiastic shoemaker were to be met with, there is no doubt but his feeling of his craft would elevate it into something approximating an art, and his work would bear witness to his veneration for it. At the time when the stage was in its highest perfection, its members had all a great love and admiration for their profession; many of them were men of education and mental accomplishment, and brought to bear upon their labour all the intellectual stores which they possessed. They respected their own work, and it was respectable; they thought acting capable of elevation, of refinement, of utility, and their faith in it invested it with dignity. Of this class were all my father's family. One reason why the stage and every thing belonging to it has fallen to so low an ebb now, is because actors have ceased to care for their profession themselves,—they are no longer artists,—acting is no longer an art.