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Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1

Note 1290 — Chapter XV

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The murder of Arden of Feversham occurred under Edward VI., but the play was published in 1592. The impression made by the story must have been deep to produce a tragedy so long afterwards. It is said by Mr. Collier, that Professor Tieck has inclined to think Arden of Feversham a genuine work of Shakspeare. I cannot but venture to suspect that, if this distinguished critic were a native, he would discern such differences of style, as render this hypothesis improbable. The speeches in Arden of Feversham have spirit and feeling, but there is none of that wit, that fertility of analogical imagery, which the worst plays of Shakspeare display. The language is also more plain and perspicuous than we ever find in him, especially on a subject so full of passion. Mr. Collier discerns the hand of Shakspeare in the Yorkshire Tragedy, and thinks that there are some speeches which could scarcely have proceeded from any other pen, Collier, iii. 51. It was printed with his name in 1608; but this, which would be thought good evidence in most cases, must not be held sufficient. It is impossible to explain the grounds of internal persuasion in these nice questions of æsthetic criticism, but I cannot perceive the hand of Shakspeare in any of the anonymous tragedies.

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