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Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1

Note 1157 — Chapter XIV

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Vol. v. p. 61-108. Bouterwek (vol. ii. 159), speaks much less favourably of the Amadigi, and, as far as I can judge, in too disparaging a tone. Corniani, a great admirer of Bernardo, owns that his morbidezza and fertility have rendered him too frequently diffuse and flowery. See also Panizzi, p. 393, who observes that the Amadigi wants interest, but praises its imaginative descriptions as well as its delicacy and softness.

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