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Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1

Note 1156 — Chapter XIV

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The character of his lyric poetry is a sweetness and abundance of expressions and images, by which he becomes more flowing and full (più morbido e più pastoso, metaphors not translatable by single English words) than his contemporaries of the school of Petrarch. Corniani, v. 127.

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