Note 387 — HURRELL FROUDE (continued 4)
Reading edition
The preference for the style of the Italian Renaissance came to be shared by other faithless Oxonians, as all the world knows, particularly, for practical reasons, by Newman, Faber, and the whole English Oratorian group. It must seem a distinct note of impending degeneracy in Froude, to those who have the heart to distrust him.