Note 6 — Chapter II · SUGGESTION AND CHOICE

Goethe, in various places, contrasts modern art and literature with those of the Greeks in respect to the fact that the former express individual characteristics, the latter those of a race and an epoch. Thus in a letter to Schiller—No. 631 of the Goethe-Schiller correspondence—he says of Paradise Lost, “In the case of this poem, as with all modern works of art, it is in reality the individual that manifests itself that awakens the interest.”

Can there be some illusion mixed with the truth of this idea? Is it not the case that the nearer a thing is to our habit of thought the more clearly we see the individual, and the more vaguely, if at all, the universal? And would not an ancient Greek, perhaps, have seen as much of what was peculiar to each artist, and as little of what was common to all, as we do in a writer of our own time? The principle is much the same as that which makes all Chinamen look pretty much alike to us: we see the type because it is so different from what we are used to, but only one who lives within it can fully perceive the differences among individuals.