Note 21 — HOGARTH.
Reading edition
A newspaper of 1781 has the following advertisement:—
"MINUET DE LA COUR, DEVONSHIRE, LE ROI, STATUTE, SURPRISE.
"A gentleman of merit, well educated and properly qualified by seven of the best masters that ever trod on English ground, teaches the above minuets to noblemen and real ladies only, for the sum of five guineas, paid down, with all the excelled graces of the head, body, arms, wrists, hands, fingers, toes, sinks, risings, bounds, rebounds, twirls, twists, fourfold mercuries, coupees, borees, flourishes, demi-corpus, curtseys à-la-mode, hat on, off, giving hands and feet, in an advanced octagon adorned style, and divided into one, two, three, or four steps exact to time or bars; introducing at the same moment the à-la-mode form, Chassa's springs, five and nine orders of the graces, and annexed with the rigadoon, Louvre, cotillion, and ancient and modern hornpipe steps and elegant country-dance positions.—The said gentleman is no common dancing-master, has some character to lose; therefore ladies of a common capacity may soon attain to dance equal to the best French or Italian dancer in this kingdom, only for five guineas, on applying to Number 79 in the Haymarket, between ten and eleven in the morning, and four and six in the afternoon, and they will be seen by the aforesaid gentleman himself."
In his Analysis, Mr. Hogarth thus writeth:—
"The minuet is allowed by dancing-masters themselves to be the perfection of all dancing. I once heard an eminent dancing-master say, that the minuet had been the study of his whole life, and that he had been indefatigable in the pursuit of its beauties, yet at last could only say with Socrates, he knew nothing; adding, that I was happy in my profession as a painter, in that some bounds might be set to the study of it."