Note 85 — 1789—1792.

There exists two ballads with this title, one justly celebrated in the royal navy, written by Andrew Cherry, and embodied in Dibdin’s “Naval and National Songs,” and the other by a homely mariner, named, it is said, John Williams. Both songs may have taken their origin from the vessel spoken of above. Be this as it may, without doubt, one or the other was written to record the distress and struggles of the ship which conveyed the artificers to Gibraltar.

The incidents of the affair related in the first edition of this history were made to correspond with the seaman’s effusion, as there were reasons at the time for believing it referred to the vessel with the recruits on board; but, as on a closer review, there are doubts about its application, the details given in the former edition are omitted in this, leaving the question to be solved at a future day.

If the ballad of the seaman have reference to the ship in which the artificers sailed to the Rock, it differs in two known points from the facts of its voyage. The “Caroline” is the ship of the song, and she is said to have sailed from Spithead on the fourteenth day of April, whereas the party of recruits sailed apparently from Scotland, and positively landed, or, to use the official word, “joined,” at Gibraltar on the 16th April.

The seaman’s “Bay of Biscay, O!” is worked up in pure Grub-street doggrel; but bad as it is, it has been rendered worse, particularly in the last verse, by the tampering of some grossly vulgar hand. In the lapse of years the precise wording of that Catnach composition has probably been lost, and the version that exists, filled up by the imperfections of tradition, may have had its dates and places disturbed. In a printed form the ballad, seemingly, cannot be obtained.

If the differences just shown be considered fatal to the relationship between the sailor’s song and the vessel noticed in the narrative, then Cherry’s very popular ballad belongs to the history of the sappers and miners.