Notes to History of the Opera from its Origin in Italy to the present Time — Reading edition
110 notes · Reading edition
CHAPTER I. PREFACE, PRELUDE, PROLOGUE, INTRODUCTION, OVERTURE, ETC.—THE ORIGIN OF THE OPERA IN ITALY, AND ITS INTRODUCTION INTO GERMANY.—ITS HISTORY IN EUROPE; DIVISION OF THE SUBJECT. · Note 1CHAPTER I. PREFACE, PRELUDE, PROLOGUE, INTRODUCTION, OVERTURE, ETC.—THE ORIGIN OF THE OPERA IN ITALY, AND ITS INTRODUCTION INTO GERMANY.—ITS HISTORY IN EUROPE; DIVISION OF THE SUBJECT. · Note 2CHAPTER I. PREFACE, PRELUDE, PROLOGUE, INTRODUCTION, OVERTURE, ETC.—THE ORIGIN OF THE OPERA IN ITALY, AND ITS INTRODUCTION INTO GERMANY.—ITS HISTORY IN EUROPE; DIVISION OF THE SUBJECT. · Note 3CHAPTER II. INTRODUCTION OF THE OPERA INTO FRANCE AND ENGLAND. · Note 1CHAPTER II. INTRODUCTION OF THE OPERA INTO FRANCE AND ENGLAND. · Note 2CHAPTER II. INTRODUCTION OF THE OPERA INTO FRANCE AND ENGLAND. · Note 3CHAPTER II. INTRODUCTION OF THE OPERA INTO FRANCE AND ENGLAND. · Note 4CHAPTER III. ON THE NATURE OF THE OPERA, AND ITS MERITS AS COMPARED WITH OTHER FORMS OF THE DRAMA. · Note 1CHAPTER III. ON THE NATURE OF THE OPERA, AND ITS MERITS AS COMPARED WITH OTHER FORMS OF THE DRAMA. · Note 2CHAPTER IV. INTRODUCTION AND PROGRESS OF THE BALLET. · Note 1CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 1CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 2CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 3CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 4CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 5CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 6CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 7CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 8CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND. · Note 9CHAPTER VI. THE ITALIAN OPERA UNDER HANDEL. · Note 1CHAPTER VI. THE ITALIAN OPERA UNDER HANDEL. · Note 2CHAPTER VI. THE ITALIAN OPERA UNDER HANDEL. · Note 3CHAPTER VI. THE ITALIAN OPERA UNDER HANDEL. · Note 4CHAPTER VI. THE ITALIAN OPERA UNDER HANDEL. · Note 5CHAPTER VI. THE ITALIAN OPERA UNDER HANDEL. · Note 6CHAPTER VI. THE ITALIAN OPERA UNDER HANDEL. · Note 7CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK. · Note 1CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK. · Note 2CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK. · Note 3CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK. · Note 4CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK. · Note 5CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK. · Note 6CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK. · Note 7CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK. · Note 8CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 1CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 2CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 3CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 4CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 5CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 6CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 7CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 8CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 9CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU. · Note 10CHAPTER IX. ROUSSEAU AS A CRITIC AND AS A COMPOSER OF MUSIC. · Note 1CHAPTER IX. ROUSSEAU AS A CRITIC AND AS A COMPOSER OF MUSIC. · Note 2CHAPTER IX. ROUSSEAU AS A CRITIC AND AS A COMPOSER OF MUSIC. · Note 3CHAPTER IX. ROUSSEAU AS A CRITIC AND AS A COMPOSER OF MUSIC. · Note 4CHAPTER IX. ROUSSEAU AS A CRITIC AND AS A COMPOSER OF MUSIC. · Note 5CHAPTER IX. ROUSSEAU AS A CRITIC AND AS A COMPOSER OF MUSIC. · Note 6CHAPTER X. GLUCK AND PICCINNI IN PARIS. · Note 1CHAPTER X. GLUCK AND PICCINNI IN PARIS. · Note 2CHAPTER X. GLUCK AND PICCINNI IN PARIS. · Note 3CHAPTER X. GLUCK AND PICCINNI IN PARIS. · Note 4CHAPTER XI. · Note 1CHAPTER XI. · Note 2CHAPTER XI. · Note 3CHAPTER XI. · Note 4CHAPTER XI. · Note 5CHAPTER XI. · Note 6CHAPTER XI. · Note 7CHAPTER XI. · Note 8CHAPTER XI. · Note 9CHAPTER XII. OPERA IN FRANCE, AFTER THE DEPARTURE OF GLUCK. · Note 1CHAPTER XII. OPERA IN FRANCE, AFTER THE DEPARTURE OF GLUCK. · Note 2CHAPTER XIII. THE FRENCH OPERA BEFORE AND AFTER THE REVOLUTION. · Note 1CHAPTER XIII. THE FRENCH OPERA BEFORE AND AFTER THE REVOLUTION. · Note 2CHAPTER XIII. THE FRENCH OPERA BEFORE AND AFTER THE REVOLUTION. · Note 3CHAPTER XIII. THE FRENCH OPERA BEFORE AND AFTER THE REVOLUTION. · Note 4CHAPTER XIII. THE FRENCH OPERA BEFORE AND AFTER THE REVOLUTION. · Note 5CHAPTER XIII. THE FRENCH OPERA BEFORE AND AFTER THE REVOLUTION. · Note 6CHAPTER XIII. THE FRENCH OPERA BEFORE AND AFTER THE REVOLUTION. · Note 7CHAPTER XIV. · Note 1CHAPTER XIV. · Note 2CHAPTER XIV. · Note 3CHAPTER XIV. · Note 4CHAPTER XIV. · Note 5CHAPTER XV. MANNERS AND CUSTOMS AT THE LONDON OPERA, HALF A CENTURY SINCE. · Note 1CHAPTER XV. MANNERS AND CUSTOMS AT THE LONDON OPERA, HALF A CENTURY SINCE. · Note 2CHAPTER XVI ROSSINI AND HIS PERIOD. · Note 1CHAPTER XVI ROSSINI AND HIS PERIOD. · Note 2CHAPTER XVI ROSSINI AND HIS PERIOD. · Note 3CHAPTER XVI ROSSINI AND HIS PERIOD. · Note 4CHAPTER XVI ROSSINI AND HIS PERIOD. · Note 5CHAPTER XVI ROSSINI AND HIS PERIOD. · Note 6CHAPTER XVI ROSSINI AND HIS PERIOD. · Note 7CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 1CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 2CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 3CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 4CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 5CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 6CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 7CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 8CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 9CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 10CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 11CHAPTER XVII. OPERA IN FRANCE UNDER THE CONSULATE, EMPIRE, AND RESTORATION. · Note 12CHAPTER XVIII. DONIZETTI AND BELLINI. · Note 1CHAPTER XVIII. DONIZETTI AND BELLINI. · Note 2CHAPTER XVIII. DONIZETTI AND BELLINI. · Note 3CHAPTER XVIII. DONIZETTI AND BELLINI. · Note 4CHAPTER XIX. ROSSINI—SPOHR—BEETHOVEN—WEBER AND HOFFMANN. · Note 1CHAPTER XIX. ROSSINI—SPOHR—BEETHOVEN—WEBER AND HOFFMANN. · Note 2CHAPTER XIX. ROSSINI—SPOHR—BEETHOVEN—WEBER AND HOFFMANN. · Note 3CHAPTER XIX. ROSSINI—SPOHR—BEETHOVEN—WEBER AND HOFFMANN. · Note 4CHAPTER XIX. ROSSINI—SPOHR—BEETHOVEN—WEBER AND HOFFMANN. · Note 5CHAPTER XIX. ROSSINI—SPOHR—BEETHOVEN—WEBER AND HOFFMANN. · Note 6CHAPTER XIX. ROSSINI—SPOHR—BEETHOVEN—WEBER AND HOFFMANN. · Note 7CHAPTER XIX. ROSSINI—SPOHR—BEETHOVEN—WEBER AND HOFFMANN. · Note 8