Note 103 — Chapter III · MEXICAN MYTHOLOGY—THE SACERDOTAL ORDER—THE TEMPLES—HUMAN SACRIFICES
Reading edition
Codex Vaticanus, Pl. 15, and Codex Telleriano-Remensis, Part 2, Pl. 2, ap. Antiq. of Mexico, vols. i., vi.—Sahagun, Hist. de Nueva-España, lib. 3, cap. 3, 4, 13, 14.—Torquemada, Monarch. Ind., lib. 6, cap. 24.—Ixtlilxochitl, Hist. Chich., MS., cap. 1.—Gomara, Crónica de la Nueva-España, cap. 222, ap. Barcia, Historiadores primitivos de las Indias Occidentales (Madrid, 1749), tom. ii.—Quetzalcoatl signifies “feathered serpent.” The last syllable means, likewise, a “twin;” which furnished an argument for Dr. Siguenza to identify this god with the apostle Thomas (Didymus signifying also a twin), who, he supposes, came over to America to preach the gospel. In this rather startling conjecture he is supported by several of his devout countrymen, who appear to have as little doubt of the fact as of the advent of St. James, for a similar purpose, in the mother-country. See the various authorities and arguments set forth with becoming gravity in Dr. Mier’s dissertation in Bustamante’s edition of Sahagun (lib. 3, Suplem.), and Veytia (tom. i. pp. 160-200). Our ingenious countryman McCulloh carries the Aztec god up to a still more respectable antiquity, by identifying him with the patriarch Noah. Researches, Philosophical and Antiquarian, concerning the Aboriginal History of America (Baltimore, 1829), p. 233.{*}
{*} [Under the modern system of mythical interpretation, which has been applied by Dr. Brinton with singular force and ingenuity to the traditions of the New World, Quetzalcoatl, “the central figure of Toltec mythology,” with the corresponding figures found in the legends of the Mayas, Quichés, Peruvians, and other races, loses all personal existence, and becomes a creation of that primitive religious sentiment which clothed the uncomprehending powers of nature with the attributes of divinity. His name, “Bird-Serpent,” unites the emblems of the wind and the lightning. “He is both lord of the eastern light and the winds. As the former, he was born of a virgin in the land of Tula or Tlapallan, in the distant Orient, and was high-priest of that happy realm. The morning star was his symbol.... Like all the dawn heroes, he too was represented as of white complexion, clothed in long white robes, and, as most of the Aztec gods, with a full and flowing beard. When his earthly work was done, he too returned to the east, assigning as a reason that the sun, the ruler of Tlapallan, demanded his presence. But the real motive was that he had been overcome by Tezcatlipoca, otherwise called Yoalliehecatl, the wind or spirit of the night, who had descended from heaven by a spider’s web and presented his rival with a draught pretended to confer immortality, but, in fact, producing uncontrollable longing for home. For the wind and the light both depart when the gloaming draws near, or when the clouds spread their dark and shadowy webs along the mountains and pour the vivifying rain upon the fields.... Wherever he went, all manner of singing birds bore him company, emblems of the whistling breezes. When he finally disappeared in the far east, he sent back four trusty youths, who had ever shared his fortunes, incomparably swift and light of foot, with directions to divide the earth between them and rule it till he should return and resume his power.” (The Myths of the New World, p. 180, et seq.) So far as mere physical attributes are concerned, this analysis may be accepted as a satisfactory elucidation of the class of figures to which it relates. But the grand and distinguishing characteristic of these figures is the moral and intellectual eminence ascribed to them. They are invested with the highest qualities of humanity,—attributes neither drawn from the external phenomena of nature nor born of any rude sentiment of wonder and fear. Their lives and doctrines are in strong contrast with those of the ordinary divinities of the same or other lands, and they are objects not of a propitiatory worship, but of a pious veneration. Can we, then, assent to the conclusion that under this aspect also they were “wholly mythical,” “creations of the religious fancy,” “ideals summing up in themselves the best traits, the most approved virtues, of whole nations”? (Ibid., pp. 293, 294.) This would seem to imply that nations may attain to lofty conceptions of moral truth and excellence by a process of selection, without any standard or point of view furnished by living embodiments of the ideal. But this would be as impossible as to arrive at conceptions of the highest forms and ideas of art independently of the special genius and actual productions of the artist. In the one case, as in the other, the ideal is derived originally from examples shaped by finer and deeper intuitions than those of the masses. “Im Anfang war die That.” The mere fact, therefore, that the Mexican people recognized an exalted ideal of purity and wisdom is a sufficient proof that men had existed among them who displayed these qualities in an eminent degree. The status of their civilization, imperfect as it was, can be accounted for only in the same way. Comparative mythology may resolve into its original elements a personification of the forces of nature woven by the religious fancy of primitive races, but it cannot sever that chain of discoverers and civilizers by which mankind has been drawn from the abysses of savage ignorance, and by which its progress, when uninterrupted, has been always maintained.—K.]