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History of Spanish Literature, vol. 2 (of 3)

Note 316 — Chapter XV

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The facts relating to this play are taken partly from the play itself, (Comedias, Tom. XXI., Madrid, 1635, f. 68. b), and partly from Casiano Pellicer, Orígen y Progresos de la Comedia, Madrid, 1804, 12mo, Tom. I. pp. 174-181.

A similar entertainment had been given by his queen to Philip IV., on his birthday, in 1622, at the beautiful country-seat of Aranjuez, for which the unfortunate Count of Villamediana furnished the poetry, and Fontana, the distinguished Italian architect, erected a theatre of great magnificence. The drama, which was much like a masque of the English theatre, and was performed by the queen and her ladies, is in the Works of Count Villamediana (Çaragoça, 1629, 4to, pp. 1-55); and an account of the entertainment itself is given in Antonio de Mendoça (Obras, Lisboa, 1690, 4to, pp. 426-464);—all indicating the most wasteful luxury and extravagance.

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