Note 107 — Chapter IV

That the general form of the Conde Lucanor is Oriental may be seen by looking into the fables of Bidpai, or almost any other collection of Eastern stories; the form, I mean, of separate tales, united by some fiction common to them all, like that of relating them all to amuse or instruct some third person. The first appearance in Europe of such a series of tales grouped together was in the Disciplina Clericalis; a remarkable work, composed by Petrus Alphonsus, originally a Jew, by the name of Moses Sephardi, born at Huesca in Aragon in 1062, and baptized as a Christian in 1106, taking as one of his names that of Alfonso VI. of Castile, who was his godfather. The Disciplina Clericalis, or Teaching for Clerks or Clergymen, is a collection of thirty-seven stories, and many apophthegms, supposed to have been given by an Arab on his death-bed as instructions to his son. It is written in such Latin as belonged to its age. Much of the book is plainly of Eastern origin, and some of it is extremely coarse. It was, however, greatly admired for a long time, and was more than once turned into French verse, as may be seen in Barbazan (Fabliaux, ed. Méon, Paris, 1808, 8vo, Tom. II. pp. 39-183). That the Disciplina Clericalis was the prototype of the Conde Lucanor is probable, because it was popular when the Conde Lucanor was written; because the framework of both is similar, the stories of both being given as counsels; because a good many of the proverbs are the same in both; and because some of the stories in both resemble one another, as the thirty-seventh of the Conde Lucanor, which is the same with the first of the Disciplina. But in the tone of their manners and civilization, there is a difference quite equal to the two centuries that separate the two works. Through the French version, the Disciplina Clericalis soon became known in other countries, so that we find traces of its fictions in the “Gesta Romanorum,” the “Decameron,” the “Canterbury Tales,” and elsewhere. But it long remained, in other respects, a sealed book, known only to antiquaries, and was first printed in the original Latin, from seven manuscripts in the King’s Library, Paris, by the Société des Bibliophiles (Paris, 1824, 2 tom. 12mo). Fr. W. V. Schmidt—to whom those interested in the early history of romantic fiction are much indebted for the various contributions he has brought to it—published the Disciplina anew in Berlin, 1827, 4to, from a Breslau manuscript; and, what is singular for one of his peculiar learning in this department, he supposed his own edition to be the first. It is, on account of its curious notes, the best; but the text of the Paris edition is to be preferred, and a very old French prose version that accompanies it makes it as a book still more valuable.