Note 147 — BOOK II. FROM THE BEGINNING OF THE SIXTEENTH TO THE LATTER HALF OF THE SEVENTEENTH CENTURY.
Thomasina Ross translation
An unpardonable neglect of chronology has given rise to a confusion of dates, by which this period of Spanish literature has been made to include two distinct epochs. This confusion is particularly striking in the work of Velasquez. In his third age of Castilian poetry, which he commences with the introduction of the Italian style, but which ought really to be called the second, he reckons all the Spanish poets, who appear to have formed their manner after Italian models down to the reign of Philip IV.; and in the following age, which he calls the fourth, he places Virnes, Lope de Vega, and others, who flourished half a century before.