Note 257 — Chapter XXI · GRECIAN EPIC.—HOMERIC POEMS.
Reading edition
Nitzsch and Welcker argue, that because the Homeric poems were heard with great delight and interest, therefore the first rudiments of the art of writing, even while beset by a thousand mechanical difficulties, would be employed to record them. I cannot adopt this opinion, which appears to me to derive all its plausibility from our present familiarity with reading and writing. The first step from the recited to the written poem is really one of great violence, as well as useless for any want then actually felt. I much more agree with Wolf when he says: “Diu enim illorum hominum vita et simplicitas nihil admodum habuit, quod scripturâ dignum videretur: in aliis omnibus occupati agunt illi, quæ posteri scribunt, vel (ut de quibusdam populis accepimus) etiam monstratam operam hanc spernunt tanquam indecori otii: carmina autem quæ pangunt, longo usu sic ore fundere et excipere consueverunt, ut cantu et recitatione cum maxime vigentia deducere ad mutas notas, ex illius ætatis sensu nihil aliud esset, quam perimere ea et vitali vi ac spiritu privare.” (Prolegom. s. xv. p. 59.)
Some good remarks on this subject are to be found in William Humboldt’s Introduction to his elaborate treatise Ueber die Kawi-Sprache, in reference to the oral tales current among the Basques. He, too, observes how great and repulsive a proceeding it is, to pass at first from verse sung, or recited, to verse written; implying that the words are conceived detached from the Vortrag, the accompanying music, and the surrounding and sympathizing assembly. The Basque tales have no charm for the people themselves, when put in Spanish words and read (Introduction, sect. xx. p. 258-259).
Unwritten prose tales, preserved in the memory, and said to be repeated nearly in the same words from age to age, are mentioned by Mariner, in the Tonga Islands (Mariner’s Account, vol. ii. p. 377).
The Druidical poems were kept unwritten by design, after writing was in established use for other purposes (Cæsar, B. G. vi. 13).