Note 249 — Chapter XXI · GRECIAN EPIC.—HOMERIC POEMS.
Reading edition
Terpander,—see Plutarch, de Musicâ, c. 3-4; the facts respecting him are collected in Plehn’s Lesbiaca, pp. 140-160; but very little can be authenticated.
Stesander at the Pythian festivals sang the Homeric battles, with a harp accompaniment of his own composition (Athenæ. xiv. p. 638).
The principal testimonies respecting the rhapsodizing of the Homeric poems at Athens, chiefly at the Panathenaic festival, are Isokratês, Panegyric. p. 74; Lycurgus contra Leocrat. p. 161; Plato, Hipparch. p. 228; Diogen. Laërt. Vit. Solon. i. 57.
Inscriptions attest that rhapsodizing continued in great esteem, down to a late period of the historical age, both at Chios and Teôs, especially the former: it was the subject of competition by trained youth, and of prizes for the victor, at periodical religious solemnities: see Corp. Inscript. Boeckh, No. 2214-3088.