Note 226 — Chapter XXI · GRECIAN EPIC.—HOMERIC POEMS.

The gradual growth of a contemptuous feeling towards the scriptor cyclicus (Horat. Ars. Poetic. 136), which was not originally implied in the name, is well set forth by Lange (Ueber die Kyklisch. Dicht. pp. 53-56).

Both Lange (pp. 36-41), however, and Ulrici (Geschichte des Griech. Epos, 9te Vorles. p. 418) adopt another opinion with respect to the cycle, which I think unsupported and inadmissible,—that the several constituent poems were not received into it entire (i. e. with only such changes as were requisite for a corrected text), but cut down and abridged in such manner as to produce an exact continuity of narrative. Lange even imagines that the cyclic Odyssey was thus dealt with. But there seems no evidence to countenance this theory, which would convert the Alexandrine literati from critics into logographers. That the cyclic Iliad and Odyssey were the same in the main (allowing for corrections of text) as the common Iliad and Odyssey, is shown by the fact, that Proclus merely names them in the series without giving any abstract of their contents: they were too well known to render such a process necessary. Nor does either the language of Proclus, or that of Cæcius as applied to Zenodotus, indicate any transformation applied to the poets whose works are described to have been brought together and put into a certain order.

The hypothesis of Lange is founded upon the idea that the (ἀκολουθία πραγμάτων) continuity of narrated events must necessarily have been exact and without break, as if the whole constituted one work. But this would not be possible, let the framers do what they might: moreover, in the attempt, the individuality of all the constituent poets must have been sacrificed, in such manner that it would be absurd to discuss their separate merits.

The continuity of narrative in the Epic Cycle could not have been more than approximate,—as complete as the poems composing it would admit: nevertheless, it would be correct to say that the poems were arranged in series upon this principle and upon no other. The librarians might have arranged in like manner the vast mass of tragedies in their possession (if they had chosen to do so) upon the principle of sequence in the subjects: had they done so, the series would have formed a Tragic Cycle.