Note 873 — Chapter XVI · GRECIAN MYTHES, AS UNDERSTOOD, FELT AND INTERPRETED BY THE GREEKS THEMSELVES.

It is curious to see that some of the most recondite doctrines of the Pythagorean philosophy were actually brought before the general Syracusan public in the comedies of Epicharmus: “In comœdiis suis personas sæpe ita colloqui fecit, ut sententias Pythagoricas et in universum sublimia vitæ præcepta immisceret” (Grysar, De Doriensium Comœdiâ, p. 111, Col. 1828). The fragments preserved in Diogen. Laërt. (iii. 9-17) present both criticisms upon the Hesiodic doctrine of a primæval chaos, and an exposition of the archetypal and immutable ideas (as opposed to the fluctuating phænomena of sense) which Plato afterwards adopted and systematized.

Epicharmus seems to have combined with this abstruse philosophy a strong vein of comic shrewdness and some turn to scepticism (Cicero, Epistol. ad Attic. i. 19): “ut crebro mihi vafer ille Siculus Epicharmus insusurret cantilenam suam.” Clemens Alex. Strom. v. p. 258. Νᾶφε καὶ μέμνασ᾽ ἀπιστεῖν· ἄρθρα ταῦτα τῶν φρενῶν. Ζῶμεν ἀριθμῷ καὶ λογισμῷ· ταῦτα γὰρ σώζει βροτοὺς. Also his contemptuous ridicule of the prophetesses of his time who cheated foolish women out of their money, pretending to universal knowledge, καὶ πάντα γιγνώσκοντι τῷ τηνᾶν λόγῳ (ap Polluc. ix. 81). See, about Epicharmus. O. Müller, Dorians, iv. 7, 4.

These dramas seem to have been exhibited at Syracuse between 480-460 B. C., anterior even to Chionidês and Magnês at Athens (Aristot. Poet. c. 3): he says πολλῷ πρότερος, which can hardly be literally exact. The critics of the Horatian age looked upon Epicharmus as the prototype of Plautus (Hor. Epistol. ii. 1. 58).