Note 168 — Chapter II

Mr. Squier (Central America, vol. ii. p. 68); who explored Nicaragua, says of the statues, ‘the material, in every case, is a black basalt, of great hardness, which, with the best of modern tools, can only be cut with difficulty.’ Mr. Stephens (Central America, vol. ii. p. 355) found at Palenque ‘elegant specimens of art and models for study.’ See also vol. iii. pp. 276, 389, 406, vol. iv. p. 293. Of the paintings at Chichen he says (vol. iv. p. 311), ‘they exhibit a freedom of touch which could only be the result of discipline and training under masters.’ At Copan (vol. i. p. 151), ‘it would be impossible, with the best instruments of modern times, to cut stones more perfectly.’ And at Uxmal (vol. ii. p. 431), ‘throughout, the laying and polishing of the stones are as perfect as under the rules of the best modern masonry.’ Our knowledge of Central America is almost entirely derived from these two writers; and although the work of Mr. Stephens is much the more minute, Mr. Squier says (vol. ii. p. 306), what I believe is quite true, that until the appearance of his own book in 1853, the monuments in Nicaragua were entirely unknown. Short descriptions of the remains in Guatemala and Yucatan will be found in Larenaudière's Mexique et Guatemala, pp. 308–327, and in Journal of Geograph. Society, vol. iii. pp. 60–63.