Note 1029 — Chapter VII · RISE OF VASE-PAINTING IN GREECE
Reading edition
In some specimens Ionian influence seems to manifest itself: cf. for instance the Ionic palmette in Ath. Mitth. 1897, p. 279. Studniczka notes that the purely monochrome outline drawing of the Aegina vases is like that ascribed by Pliny to the early Corinthian painters (Ath. Mitth. 1899, p. 376).