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Heroines of the Modern Stage

Note 178 — MRS. FISKE

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“When a series of one-night stands was being played—and she has a perfectly frantic fondness for them—it was our custom to charter a Pullman, as she lived in the car instead of in hotels.... This she most urgently requested to have placed ‘not at the end of the train.’ The rear-end collision had mortal terrors for her.... The same nervous fear applied to non-fireproof hotels, in any of which Mrs. Fiske will not go above the second story.... Mrs. Fiske appears never to weary of travel, and while she objects to starts ranging from five to ten o’clock A.M., an earlier or later leaving hour does not disturb her; in fact, she says she rarely falls asleep until near morning. We had a prohibition against ringing the berth bells before ten A.M., and also against any kind of alarm clock.... Very rarely Mrs. Fiske went to the dining car in the train, her dislike for making herself conspicuous being very marked. This modesty was exemplified in her fondness for veils, as she always wore at least one, and more generally two.... Her unceasing employment of time when on tour is in study. It is a never-ending labor, and one that evidently delights her. The preparation for things to come—perhaps a year or more ahead—is always in her mind.... During all my time [thirteen years] with Mrs. Fiske she never lost a single night from illness.”—Griffith.

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