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Heroines of the Modern Stage

Note 208 — MAUDE ADAMS

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“She was at her best in the scene of supplication and childlike blandishment with the old Austrian Emperor. The vein of Miss Adams is domestic and romantic—not tragic. She carried the second act of the play with sustained vivacity and gratifying skill. Possessed of a gentle personality and capable of a piquant behavior, Miss Adams was a sprightly and bonnie lass in The Little Minister, and that performance furnished the measure of her ability. As Reichstadt she gave an intelligent performance, on a commonplace level.”—William Winter, The Wallet of Time.

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