Note 156 — MARY ANDERSON
Reading edition
Her repertoire at this time (1879) was: Bianca in Fazio; Juliet in Romeo and Juliet; Lady Macbeth (the sleep-walking scene); Parthenia in Ingomar; Berthe in The Daughter of Roland; Julia in The Hunchback; Pauline in The Lady of Lyons; Meg Merriles in Guy Mannering; Evadne in Evadne; Duchess of Torrenucra in Faint Heart Never Won Fair Lady; Ion in Ion; soon afterwards she added the Countess in Knowles’ Love, Galatea in Pygmalion and Galatea, and Desdemona in Othello (once only).