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Heroines of the Modern Stage

Note 187 — JULIA MARLOWE

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Beginning with her New York début in 1887, Julia Marlowe’s first appearances in her various parts were as follows: Parthenia in Ingomar, Juliet in Romeo and Juliet, Viola in Twelfth Night, 1887; Julia in The Hunchback, Pauline in The Lady of Lyons, 1888; Rosalind in As You Like It, Galatea in Pygmalion and Galatea, 1889; Beatrice in Much Ado About Nothing, 1890; Imogen in Cymbeline, Charles Hart in Rogues and Vagabonds, 1891; Constance in The Love Chase, 1893; Letitia Hardy in The Belle’s Stratagem, Chatterton in Chatterton, Lady Teazle in The School for Scandal, 1894; Colombe in Colombe’s Birthday, Prince Hal in Henry IV, Kate Hardcastle in She Stoops to Conquer, 1895; Lydia Languish in The Rivals (supplementary spring season, with “all-star cast”), Romola in Romola, 1896; Mary in For Bonnie Prince Charlie, The Countess in The Countess Valeska, 1897; Colinette in Colinette, Barbara in Barbara Frietchie, 1899; Mary Tudor in When Knighthood Was in Flower, 1901; Fiametta in The Queen Fiametta, Charlotte Oliver in The Cavalier, 1902; Lady Barchester in Fools of Nature, 1903; Ophelia in Hamlet, 1904; Katherine in The Taming of the Shrew, Portia in The Merchant of Venice, 1905; Salome in John the Baptist, Jeanne in Jeanne d’Arc, Rautendelein in The Sunken Bell, 1906; Madonna Gloria in Gloria, Yvette in The Goddess of Reason, 1908; Cleopatra in Antony and Cleopatra, 1909; Lady Macbeth in Macbeth, 1910.

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