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Heroines of the Modern Stage

Note 113 — ELEONORA DUSE

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Though her first night audience was described as “large and brilliant,” Duse’s audiences during her first American tour were generally not large in numbers. They were, however, drawn from a discriminating part of the public, the part that regards the drama as an art and goes to the theatre only when its own high standards are likely to be met. During the 1896 tour she attracted the same discerning public, but also, this time, that other public which runs to fads. “La Duse” became something of a fad, but happily at no sacrifice of the quality of her acting.

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