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Heroines of the Modern Stage

Note 226 — APPENDIX THE FIRST ENGLISH ACTRESSES, AND THE CHANGE IN THE ACTOR’S SOCIAL STATUS

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As seems clear, for instance, from Hamlet’s unusual consideration of them. The often-quoted law enacted in the reigns of Elizabeth and James seems, however, to have been directed not against the established city companies, but against the wandering country players. It reads, quaintly enough: “All bear-wards, common players of interludes, counterfeit Egyptians, etc., shall be taken, adjudged, and deemed Rogues and Vagabonds and Sturdy Beggars, and shall sustain all pain and punishment as by this act is in that behalf appointed.” For a résumé of the phases of the actor’s lack of social position see John Fyvie’s “Comedy Queens of the Eighteenth Century.”

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