Note (back) — Chapter II

Never was this more apparent than under the Tudors. The parliamentary experiment of the Lancastrians was premature and had failed. Parliamentary institutions were discredited and people were indifferent to parliamentary rights and privileges: "A plague on both your Houses," was the popular feeling, "give us peace, above all peace at home to pursue new avenues of wealth, new phases of commercial development, peace to study new problems of literature, religion, and art"; and both Houses passed out of the range of popular imagination, and almost out of the sphere of independent political action. Parliament played during the sixteenth century a modester part than it had played since its creation. Towards the close of the period Shakespeare wrote his play of King John, and in that play there is not the faintest allusion to Magna Carta.[69] Such an omission would be inconceivable now or at any time since the death of Elizabeth; for the Great Charter is enshrined in popular imagination as the palladium of the British constitution. It was the fetish to which Parliament appealed against the Stuarts. But no such appeal would have touched a Tudor audience. It needed and desired no weapon against a sovereign who embodied national desires, and ruled in accord with the national will. References to the charter are as rare in parliamentary debates as they are in the pages of Shakespeare. The best hated instruments of Stuart tyranny were popular institutions under the Tudors; and the Star Chamber itself found its main difficulty in the number of suitors which flocked to a court where the king was judge, the law's delays minimised, counsel's fees moderate, and justice rarely denied merely because it might happen to be illegal. England in the sixteenth century put its trust in its princes far more than it did in its parliaments; it invested them with attributes almost Divine. By Tudor majesty the poet was inspired with thoughts of the divinity that doth hedge a king. "Love for the King," wrote a Venetian of Henry VIII. in the early years of his reign, "is universal with all who see him, for his Highness does not seem a person of this world, but one descended from heaven."[70] Le nouveau Messie est le Roi.