Note 56 — XX. WASHINGTON, NEW ENGLAND, AND SOME “RETURN VISITS.”

We thoroughly believe that the time will never come when any actor can present a Hamlet that will be universally regarded as a correct interpretation of the master poet’s sublime creation. Mr. Irving’s impersonation was brilliantly bold in execution, replete with new readings and stage business, and magnificent bursts of feeling, arising from his changeableness of moods. There does not seem to be a scene in the entire tragedy which he has not touched with his own subtle and delicate refinement, and removed far above the conventionalities of other actors whom we have seen. His first soliloquy, “Oh, that this too, too solid flesh would melt!” was rendered as though it were the unconscious utterance of a thought. He displayed but little interest in the return to earth of his father’s spirit until he met it face to face; and then he surrounded himself with a solemn supernaturalism, tinged with glow of superb filial affection. This, in turn, seemed to give way to a sort of nervous terror, and he became hysterical, which presented to the oath of secrecy an added reverential awe. The first long interview between Hamlet and Ophelia was played with splendid dramatic force and fire. His simulation of passion, his deep longing for its gratification, and his recklessness consequent upon his recollection of the stern duty to which he had devoted himself,—alternately flying from her, and then returning,—was a part of the performance which created a most profound impression upon our mind.—The National Republican, March 6.