Note 418 — HIS TECHNIQUE AND WORKS

See even the Third Concerto in E minor, so vivacious, with its Larghetto 3-2, melancholy and serene, its Andante 12-8 Fugue with an elaborate theme of twirling designs which gives the impression of the fancies of a capricious and gloomy soul, its Allegro in 4-4, with a humour a little grotesque—its picturesque Polonaise on a pedal-bass, and its final allegro ma non troppo of which the rhythm and unexpected modulations make one think of certain dances in the later quartets of Beethoven.