Note 195 — HIS LIFE

“To study this more closely,” says Hugo Goldschmidt (Vocal Ornamentation, 1908), “Bononcini’s songs are really lieder, to which is applied, for good or evil, the old form of the Aria Da Capo, or the Cavatina: the taste for little airs in the form of a song spread itself widely during the end of the seventeenth century in Germany and in England.” Bononcini, who was always led naturally by fashion, and by his indolent facility, abandoned himself to it still more in England, and suited it to the English taste.