Note 31 — Chapter V

At the period in which my Romance takes place, the revival of the art of painting was in its infancy. I am aware, therefore, that some scrupulous folks will be apt to find fault with me for having introduced a gallery of pictures with the same confidence as if I were writing a novel of the present day. Yet this seeming anachronism does not exist. The Moors, though they certainly could not boast of a Rafael or a Titian, had exercised themselves in the art, and, according to some authorities, even excelled in portrait painting. I do not intend to maintain that either the Moorish or Christian artists of the period had arrived at any eminence: for my purpose, it is enough that they did exist at the time: let imagination do the rest.