Note 21 — PART VI.
Charles Lock Eastlake translation
In the Dresden Gallery, a picture attributed to Titian—at all events a lucid Venetian picture—hangs next the St. George of Correggio. After looking at the latter, the Venetian work appears glassy and unsubstantial, but on reversing the order of comparison, the Correggio may be said to suffer more, and for a moment its fine transitions of light and shade seem changed to heaviness.