← Table of contents
Goethe's Theory of Colours

Note 4 — PART VI. (continued 2)

Charles Lock Eastlake translation

"Il Figino, overo del Fine della Pittura," Mantova, 1591, p. 249. An account of the absurd invention of the same painter in composing figures of flowers and animals, and even painting portraits in this way, to the great delight of the emperor, will be found in the same work.

Explore with AITake your curiosity a little further.

Reading settings