Note 34 — PART VI. (continued 2)
Charles Lock Eastlake translation
See Cean Bermudez, "Sobre la Escuela Sevillana," Cadiz, 1806. The same reasons induced the later Venetian machinists to paint on dark grounds, and to make use of (drying) oil in excess. See Zanetti, Della Pittura Veneziana, 1. iv.