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Goethe's Theory of Colours

Note 31 — PART VI. (continued 2)

Charles Lock Eastlake translation

See Borghini, Armenini, their Venetian copyist Bisagno, and Palomino. The last-named writer, though of another school and much more modern, was evidently well acquainted with the ancient methods: he says, "Se advierte que siempre que se huviere de barnizar alguna cosa conviene que la pintura y el barniz estèn calientes."—El Museo Pictorico, v. ii.

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