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Goethe's Theory of Colours

Note 29 — PART VI. (continued 2)

Charles Lock Eastlake translation

Federici, "Memorie Trevigiane," Venezia, 1803. The altar-piece of S. Niccolo at Treviso is attributed, in the document alluded to, to Fra Marco Pensabene, a name unknown; the painting is so excellent as to have been thought worthy of Sebastian del Piombo: for this opinion, however, there are no historical grounds. It was begun in 1520, but before it was quite finished the painter, whoever he was, absconded: it was therefore completed by another.

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