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Goethe's Theory of Colours

Note 15 — PART VI. (continued 2)

Charles Lock Eastlake translation

It has been conjectured by some that this story proved the immixture of varnishes with the colours, and that the oil was only used to dilute them. The epitaph on Antonello da Messina which existed in Vasari's time, alludes to his having mixed the colours with oil.

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