Notes to Giotto — Reading edition
74 notes · Reading edition
CHAPTER I. INTRODUCTORY. · Note 1CHAPTER I. INTRODUCTORY. · Note 2CHAPTER I. INTRODUCTORY. · Note 3CHAPTER I. INTRODUCTORY. · Note 4CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 1CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 2CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 3CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 4CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 5CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 6CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 7CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 8CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 9CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 10CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 11CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 12CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 13CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 14CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 15CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 16CHAPTER II. ART IN ITALY IN THE THIRTEENTH CENTURY. · Note 17CHAPTER III. FRESCO PAINTING. · Note 1CHAPTER III. FRESCO PAINTING. · Note 2CHAPTER III. FRESCO PAINTING. · Note 3CHAPTER III. FRESCO PAINTING. · Note 4CHAPTER III. FRESCO PAINTING. · Note 5CHAPTER IV. CIMABUE. · Note 1CHAPTER IV. CIMABUE. · Note 2CHAPTER IV. CIMABUE. · Note 3CHAPTER IV. CIMABUE. · Note 4CHAPTER IV. CIMABUE. · Note 5CHAPTER IV. CIMABUE. · Note 6CHAPTER IV. CIMABUE. · Note 7CHAPTER IV. CIMABUE. · Note 8CHAPTER IV. CIMABUE. · Note 9CHAPTER IV. CIMABUE. · Note 10CHAPTER V. GIOTTO. · Note 1CHAPTER V. GIOTTO. · Note 2CHAPTER V. GIOTTO. · Note 3CHAPTER V. GIOTTO. · Note 4CHAPTER V. GIOTTO. · Note 5CHAPTER V. GIOTTO. · Note 6CHAPTER V. GIOTTO. · Note 7CHAPTER V. GIOTTO. · Note 8CHAPTER V. GIOTTO. · Note 9CHAPTER V. GIOTTO. · Note 10CHAPTER V. GIOTTO. · Note 11CHAPTER V. GIOTTO. · Note 12CHAPTER VI. THE CHIEF FUNCTION OF PAINTING. · Note 1CHAPTER VII. THE EARLY WORK OF GIOTTO AT FLORENCE AND ROME. · Note 1CHAPTER VII. THE EARLY WORK OF GIOTTO AT FLORENCE AND ROME. · Note 2CHAPTER VII. THE EARLY WORK OF GIOTTO AT FLORENCE AND ROME. · Note 3CHAPTER VII. THE EARLY WORK OF GIOTTO AT FLORENCE AND ROME. · Note 4CHAPTER VII. THE EARLY WORK OF GIOTTO AT FLORENCE AND ROME. · Note 5CHAPTER VII. THE EARLY WORK OF GIOTTO AT FLORENCE AND ROME. · Note 6CHAPTER VII. THE EARLY WORK OF GIOTTO AT FLORENCE AND ROME. · Note 7CHAPTER VIII. GIOTTO AT PADUA. · Note 1CHAPTER VIII. GIOTTO AT PADUA. · Note 2CHAPTER VIII. GIOTTO AT PADUA. · Note 3CHAPTER VIII. GIOTTO AT PADUA. · Note 4CHAPTER VIII. GIOTTO AT PADUA. · Note 5CHAPTER VIII. GIOTTO AT PADUA. · Note 6CHAPTER VIII. GIOTTO AT PADUA. · Note 7CHAPTER X. GIOTTO AT ASSISI.—THE UPPER CHURCH. · Note 1CHAPTER X. GIOTTO AT ASSISI.—THE UPPER CHURCH. · Note 2CHAPTER X. GIOTTO AT ASSISI.—THE UPPER CHURCH. · Note 3CHAPTER X. GIOTTO AT ASSISI.—THE UPPER CHURCH. · Note 4CHAPTER XI. THE LOWER CHURCH OF ASSISI. · Note 1CHAPTER XI. THE LOWER CHURCH OF ASSISI. · Note 2CHAPTER XI. THE LOWER CHURCH OF ASSISI. · Note 3CHAPTER XI. THE LOWER CHURCH OF ASSISI. · Note 4CHAPTER XII. GIOTTO'S LATER WORK AT FLORENCE. · Note 1CHAPTER XII. GIOTTO'S LATER WORK AT FLORENCE. · Note 2CHAPTER XII. GIOTTO'S LATER WORK AT FLORENCE. · Note 3