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George Borrow and His Circle

Note 230 — Chapter XXXIII

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The frontispiece to the present volume is from the replica in the possession of Borrow's executor, who has kindly permitted me to have it photographed for the purpose. There are slight and interesting variations from Mr. Murray's portrait. Phillips (1820-1868), the artist of these pictures, is often confused with his father, Thomas (1770-1845), the Royal Academician and a much superior painter, who, by the way, painted many portraits of authors for Mr. John Murray. Henry Phillips was never an R.A. A letter from Phillips to Borrow in my possession shows that he visited the latter at Oulton. The portrait of Borrow is pronounced by Henry Dalrymple, his schoolfellow, from whose manuscript we have already quoted, to be 'very like him.' This fact is the more remarkable as the only photograph of Borrow that is known, one taken in a group with Mrs. Simms Reeve of Norwich in 1848—five years later—has many points of difference. The reader will here be able to compare the two portraits in this book. A third portrait of Borrow—a crude painting by his brother John taken in his early years, is now in the London National Portrait Gallery.

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