Note 206 — Chapter XII

The Censor objected to two passages; the second passage Mr. Shaw was perfectly willing to alter, but not so the first—Blanco's story of his conversion, so reminiscent of the style of Job, in which he describes how God “caught him out at last.” This first passage, which Mr. Shaw rightly considered to embody the crux and central meaning of the play, he refused point-blank to alter. The play was next promised production by the Abbey Theatre, Dublin. A certain passage which was subject to misinterpretation was willingly altered by Mr. Shaw at the suggestion of Lady Gregory; and the phrase, “Dearly beloved brethren,” and the use of the word “immoral” in description of Feemy's relations with the men of the village, were omitted in deference to the wishes of the Lord-Lieutenant. The directors of the Abbey Theatre, Lady Gregory and Mr. W. B. Yeats, were warned by the Lord-Lieutenant that their patent for the theatre might be withdrawn in case the play offended popular and religious sentiment in Ireland. Despite these warnings, the play was successfully produced on August 25th, 1909. “The audience took it in a very friendly manner,” wrote the dramatic critic of the Times (London), “laughing heartily at its humours, passing over its dangerous passages with attentive silence, calling loudly but in vain for the author at the close.” There was no sensation and no excitement—and no cause for any. The Irish Times said that if ridicule were as deadly in England and Ireland as it is in France, the Censorship would be “blown away in the shouts of laughter that greeted Blanco Posnet.” In September, 1909, the play was once again presented to the Censor for consideration—in the meantime the author having rewritten an important passage after it had been tested in rehearsal. Miss Horniman wished to produce it at her Repertory Theatre in Manchester. “What the Censorship has actually done,” said Mr. Shaw in comment on the decision, “exceeds the utmost hopes of those who, like myself, have devoted themselves to its destruction. It has licensed the play, and endorsed on the licence specific orders that all its redeeming passages shall be omitted in representation. I may have my insolent prostitute, my bloodthirsty, profane backwoodsmen, my atmosphere of coarseness, of savagery, of mockery, and all the foul darkness which I devised to make the light visible; but the light must be left out. I may wallow in filth, ferocity and sensuality, provided I do not hint that there is any force in Nature higher and stronger than these.” Subsequently the play was successfully produced under the auspices of the Incorporated Stage Society, at the Aldwych Theatre, London, December 5th and 6th, 1909, by the Irish National Theatre Society's Company from the Abbey Theatre, Dublin.